Are You a Needy Person?

Most of us know at least one person who is “needy.” Needy people

  • Take more than they give
  • Base their self-image on the opinions of others
  • Take advantage of friendships
  • Do not have appropriate emotional and personal boundaries

Truly needy people often cannot recognize their own behavior for what it is.

Every one of us, however, is a “needy” person spiritually.  

Spiritually we all

  • Are completely reliant on Christ for salvation
  • Are completely dependent on Christ to provide for us
  • Are lost without Christ’s guidance throughout life
  • Are ultimately unfulfilled and defeated without Christ

I consistently have to remind myself that I need God. Recently a new worship song on the scene has been helping me to remember that I need Christ every day.

All the People Said Amen

Lord, I Need You, recorded on All the People Said Amen by Matt Maher and written by Christy Nockels, Daniel Carson, Jesse Reeves, Kristian Stanfill, and Matt Maher, is reminiscent of the classic hymn I Need Thee Every Hour (a favorite of mine), yet remains completely original, borrowing only a few lines from the hymn.

Here are the lyrics:

Lord, I come, I confess
bowing here I find my rest.
Without You I fall apart;
You’re the one that guides my heart.

Lord, I need You, oh, I need You,
ev’ry hour I need You.
My one defense, my righteousness,
Oh, God, how I need You.

Where sin runs deep, Your grace is more;
where grace is found is where You are.
Where You are, Lord, I am free;
holiness is Christ in me.

Lord, I need You, oh, I need You,
ev’ry hour I need You.
My one defense, my righteousness,
Oh, God, how I need You.

So teach my song to rise to You
when temptation comes my way;
when I cannot stand I’ll fall on You.
Jesus, You’re my hope and stay.

Lord, I need You, oh, I need You,
ev’ry hour I need You.
My one defense, my righteousness,
Oh, God, how I need You.

You can buy the recording here.

In recent weeks this song has given me a lot of encouragement.  The words, “My one defense, my righteousness,” and “Jesus, you’re my hope and stay,” have been a rallying cry for me.

A few items are of particular interest to me as a musician, worship leader, and composer:

  1. The melody remains low for the first verse , the first chorus, and half of the second verse. The melody rises on the lyrics “Where you are,” highlighting the distance between us and Christ and how Christ lifts us up.
  2. The bridge, with the lyrics “So teach my song,” beautifully paints a picture of how we stumble through temptation and difficulty. The meter throughout the song is 4/4, but here the meter alternates between 3/4 and 4/4, giving the music a halting cadence.
  3. “Where grace is found is where you are” is terrible grammar, but the lyrics perfectly communicate that Christ is the source of all grace. If you experience grace, you are experiencing God.
  4. The melody spans a 12th, making the song difficult to place vocally and sing, but I am certain this song will be sung by many congregations in spite of that because of the incredible composition that it is.

This song is a beautiful reminder of our need for Christ.

What songs remind you of your need for Christ?

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[Repost] The Best of 2011-12: What Arcade Fire Can Teach Us About Text Painting

Just over a year ago I began blogging.  This is the fourth of five posts that will be re-posts of the top five blog posts this past year.  Thanks for making this year great by reading what I have written and commenting.  I appreciate it!

This weekend at Lakeshore Community Church we are performing Modern Man by Arcade Fire. Initially I chose this song for the service because the text so clearly depicts a generation struggling to find purpose and direction (check out the review of their album Suburbs, which includes Modern Man, in Relevant Magazine), and the service has to do with commitment and maturity and the link between them.

Here are some of the lyrics:

So I wait in line, I’m a modern man
And the people behind me, they don’t understand
Makes me feel like
Something don’t feel right

Like a record that’s skipping, I’m a modern man
And the clock keeps ticking, I’m a modern man
Makes me feel like
Makes me feel like

And later in the song:

If it’s so right
Then how come you can’t sleep at night
In line for a number but you don’t understand
Like a modern man

Arcade Fire paints a picture of a world where we are going through the motions without knowing why, a world where a generation is lining up behind the previous generation in lock step without any real purpose. Here “modern” becomes more than just a moniker for today; “modern” also defines the current generation – modernity – and the upcoming generation – postmodernity. Everyone in the “postmodern” culture is in danger of simply walking in the footsteps of the “modern” culture without a thought as to why. Every generation through the ages has been in danger of simply doing things “the way they have always been done” without properly questioning and, ultimately, owning ways of life as their own.

Beyond the brilliant poetry, however, is something which only the music can tell. Listening to the song for the first few times I was puzzled by the changes in meter until I started seeing the music itself through one particular line in the song:

Like a record that’s skipping

The entire song is a skipping record. Truly genius. Most of the public will never catch on, I am sure, because it is subtle. The vibe of the music itself, without this consideration, already paints a picture of a grayscale world going through the motions. With this detail, however, Arcade Fire puts themeselves into a higher level of songwriter, employing the time tested technique of text-painting.

During the Renaissance text painting most referred to madrigals, defined as part songs for several voices without instrumental accompaniment, especially English and Italian songs of the late 16th and early 17th centuries “in a free style strongly influenced by the text.” [Thank you, Mac dictionary.] Text painting in this context was blatant: trills for birds, ascending melodies for climbing images, “fa-la-la” sections for fun and “indescribable situations,” etc. Here is a link to the King’s Singers performing Now Is the Month of Maying, by Thomas Morley. Please forgive the atrocious outfits; these guys are the best. Great lyrics:

Each with his bonnie lass
Upon the greeney grass
Fa-la-la-la-la

Hmmmmm. Wonder what that is all about. Probably exactly what you’re thinking. Those salacious songwriters . . .

We digress. Arcade Fire is somewhat more subtle and turns text painting to a higher task of describing the transition from one generation to the next.

Enjoy. You just had a music history lesson. Hopefully you didn’t fall asleep.

What Arcade Fire Can Teach Us About Text Painting

This weekend at Lakeshore Community Church we are performing Modern Man by Arcade Fire. Initially I chose this song for the service because the text so clearly depicts a generation struggling to find purpose and direction (check out the review of their album Suburbs, which includes Modern Man, in Relevant Magazine), and the service has to do with commitment and maturity and the link between them.

Here are some of the lyrics:

So I wait in line, I’m a modern man
And the people behind me, they don’t understand
Makes me feel like
Something don’t feel right

Like a record that’s skipping, I’m a modern man
And the clock keeps ticking, I’m a modern man
Makes me feel like
Makes me feel like

And later in the song:

If it’s so right
Then how come you can’t sleep at night
In line for a number but you don’t understand
Like a modern man

Arcade Fire paints a picture of a world where we are going through the motions without knowing why, a world where a generation is lining up behind the previous generation in lock step without any real purpose. Here “modern” becomes more than just a moniker for today; “modern” also defines the current generation – modernity – and the upcoming generation – postmodernity. Everyone in the “postmodern” culture is in danger of simply walking in the footsteps of the “modern” culture without a thought as to why. Every generation through the ages has been in danger of simply doing things “the way they have always been done” without properly questioning and, ultimately, owning ways of life as their own.

Beyond the brilliant poetry, however, is something which only the music can tell. Listening to the song for the first few times I was puzzled by the changes in meter until I started seeing the music itself through one particular line in the song:

Like a record that’s skipping

The entire song is a skipping record. Truly genius. Most of the public will never catch on, I am sure, because it is subtle. The vibe of the music itself, without this consideration, already paints a picture of a grayscale world going through the motions. With this detail, however, Arcade Fire puts themeselves into a higher level of songwriter, employing the time tested technique of text-painting.

During the Renaissance text painting most referred to madrigals, defined as part songs for several voices without instrumental accompaniment, especially English and Italian songs of the late 16th and early 17th centuries “in a free style strongly influenced by the text.” [Thank you, Mac dictionary.] Text painting in this context was blatant: trills for birds, ascending melodies for climbing images, “fa-la-la” sections for fun and “indescribable situations,” etc. Here is a link to the King’s Singers performing Now Is the Month of Maying, by Thomas Morley. Please forgive the atrocious outfits; these guys are the best. Great lyrics:

Each with his bonnie lass
Upon the greeney grass
Fa-la-la-la-la

Hmmmmm. Wonder what that is all about. Probably exactly what you’re thinking. Those salacious songwriters . . .

We digress. Arcade Fire is somewhat more subtle and turns text painting to a higher task of describing the transition from one generation to the next.

Enjoy. You just had a music history lesson. Hopefully you didn’t fall asleep.